vw history

  • Online Game Pioneers at Work

    If you are interested in online game history, you probably want to check out Online Game Pioneers at Work. Morgan Ramsay managed to corner a whole bunch of people who were key figures in online game development over the last several decades, and interviewed all of us at great length. It’s a follow-up to his earlier book Gamers at Work: Stories Behind the Games People Play.

    Among the people in the book:

    • Emily Greer telling the story of Kongregate
    • Victor Kislyi explaining how World of Tanks came to be
    • The entire incredible story of Richard Garriott
    • John Romero and the birth of the online FPS
    • Jason Kapalka explaining how PopCap was built
    • Ian Bogost being, well, Ian

    And way more… Funcom, Supercell, CCP, King, ng:moco… with a foreword by Dr Richard Bartle.

    My own chapter starts clear back with MUDs, and goes up through departing Disney, including the business saga of Metaplace. The book has an emphasis on the business side of things, more so than the design side, so it often gets into telling the nitty-gritty stories of how companies get built and manage to stay alive.

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  • Did Star Wars Galaxies Fail?

     

    This is the last post on SWG for, well, a while. I am sure there are plenty of other things to say and more questions that could be answered, but… it feels like a natural stopping point. I must say, the response to these essays has astonished me. Here’s hoping you’ll all care as deeply about the next game I make…

    Why now?

    logowhite

    I’ve gotten a lot of questions as to why I am writing this series of posts about Star Wars Galaxies now. Do I have something to sell?

    No, I don’t have anything to sell. This past week was the fifteenth anniversary of that small SWG team first forming in Austin, refugees from Origin. We were a bit over a half dozen. It’s also ten years since the NGE, and in the last few years, we have seen a lot of changes for a lot of parties involved. I was asked some questions by a former player, and for once, it just felt like the time to answer them.

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    So, was it a failure?

    Well yes, of course. And also, no. It depends how you ask the question. There are a lot of assumptions out there about how the game did, particularly in its original form. So, let’s start by tackling some of those:

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  • Designing a Living Society in SWG, part two

     

     

    Last time, I talked about the basic skill and economic infrastructure that Star Wars Galaxies provided. Fundamentally, these were about equality. They made the different roles played by players have the same standing in the game. However, itโ€™s still a game, after all โ€” players are going to engage in radically different sorts of activities, probably some will be more fun than others, and nobody is going to just โ€œwork a jobโ€ for their leisure time.

    femcharsswgjpgThere was every expectation that combat was still going to be at the heart of the game. Few social MMOs were out there at the time, though they were achieving impressive numbers. Second Life did not yet exist when we began (they actually came to visit me at the office during the early development of SWG, to talk social design and tech). The skills and actions available were dominated by fighting, and this was by and large what the market expected.

    However, we could still try to reinvent what people thought fighting meant. In the classic Diku model that players were used to, you basically had classes that were alternate types of damage-dealers. Some dealt it fast, some slow. Some could take a lot of hits, some only a few. Today we think of these as tanks and nukers. The lone support class was the healer type, who basically replenished the combatants so that they could keep going: basically, an indirect damage-dealer more than someone who actually healed.

    Given our emphasis on making a social web, we needed to think in terms of different kinds of support.

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  • Designing a Living Society in SWG, part one

    Once upon a time you could drop things on the ground. It’s one of the first things a baby does, one of the most human things to do. You pick something up, drop it somewhere else. You build piles. Piles turn into houses. They turn into furniture. They turn into gathering places, into churches, into seats of civilizations. Dropping stuff on the ground is pretty important to who we are.

    swg player city Solace

    In the last post, I talked about the technical underpinnings that allowed us to provide a dynamic environment in SWG. But really, all that was in service of something bigger: having a living society. One of the challenges in creating online worlds is that societies are powerfully shaped by the environment they are in. A static, unchanging world will inevitably give rise to certain sorts of behaviors: spawn camping, for example. Players flow like water around gameplay obstacles; if a game doesn’t offer them the ability to run a shop, they’ll set up their character as a bot and sit online for hours to replace the system — or rather, the standard human social structure — that is commerce.

    A lot of MMO design, especially in the last decade, has been about preventing behaviors, rather than enabling them.

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  • Ten Years of World of Warcraft

    500px-WOW_logoTen years of World of Warcraft. Well. So many thoughts.

    WoW has always been a contradiction of sorts: not the pioneer, but the one that solidified the pattern. Not the experimenter, but the one that reaped the rewards. Not the innovator, but the one that was well-designed, built solidly, and made appealing. It was the MMO that took what has always been there, and delivered it in a package that was truly broadly appealing, enough so to capture the larger gamer audience for the first time.

    Donโ€™t get me wrong; thatโ€™s not a knock on it. If anything, itโ€™s possibly the biggest game design achievement in all of virtual world history. After all, weโ€™re talking about taking a game skeleton that was at that point already almost a decade and a half old, one which had literally had hundreds of iterations, hundreds of games launched. None of them ever reached that sort of audience, that sort of milestone, that sort of polish level.

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