metric verse

  • The Sunday Poem: Descending to the Airport at Night

    It has been a very long time since I posted a Sunday Poem. I am about to get on another airplane in the morning, so I am posting it a day early.

    This one’s bones came to me on a return flight from up the California coast, seeing the marine layer hovering at the edge of the ocean. It sat tall, far taller than any of the hills or cliffs. It looked a cliff itself, a glacier, maybe The Wall from Game of Thrones, overhanging the land. It looked like a shoreline in an inverted world where everything we are was lost in the dark except the little twinkling lights.

    Seeing the clouds as an ocean is hardly new, of course, but it stuck with me as we descended. I thought about the liminal perspective a plane affords, an upbringing affords, and recited phrases to myself, trying to commit them to memory before they darted away like nervous fish. It has seen minimal revision from that version, scribbled onto an iPad in the airport parking lot.

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  • The Sunday Poem: Since the Zombies Came

    Between Left 4 Dead, and The Last Guy, I think something got into my head. ๐Ÿ˜‰

    Since the Zombies Came

    Since the zombies came, you canโ€™t get decent sushi;
    Zombie sludge, it spoils fish like nothing doing.
    And all the second hand stores, they had to close up shopโ€ฆ
    Stains just donโ€™t wash out the way they used to, do they?

    Stuff thatโ€™s better โ€“ well, the horror flicks, of course. Duh.
    Extras just show up. And donโ€™t need paid, or credit.
    Watch at home, though! Darkened cineplexesโ€ฆ
    Real bad news. Though crowds are thinner at the malls now.

    โ€˜Sides, the zombies, mostly peaceful, right? Like yoga,
    Tai chi, meditation, all that shit. OMMMM, then
    Nom nom BRAAAIIIINS. They mostly stand and stare in corners
    Seeing into places we cannot with jelly

    Eyes and dreaming of the sushi and the clothes, the
    Pay and credit, ordinary hungers (BRAAAIIIINS), good
    Posture, faces still intact, more moods than oneโ€ฆ sad.
    Pity them; resent them, for the sushiโ€™s sake.

    Worse? It could be worse, sure. Aliens are worse, right?
    Zombies get you, BRAAAIIIINS, youโ€™re dead, undead, whatever.
    Aliens, you live on screaming, tentacles in
    Awkward places, slaved. Iโ€™d rather eat my friends, thanks.

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  • The Sunday Poem: From Kabul to Kandahar

    โ€ฆThe highway between Kabul and Kandahar was supposed to be a success story. Completed in 2003, it has instead become a symbol of all that plagues Afghanistan: insecurity, corruption and the radical Islamic insurgency that feeds off both.

    Aryn Baker, Time Magazine, Oct 31, 2008

    โ€œThis is my road,โ€ Saboor says: a dust
    Track gone the long way through the desert rocks.

    He drives the bus, two times a week, trusting
    Life and face to dirt he smears across

    His lips, a beard to baffle Taliban.
    He wears mechanicโ€™s clothes: a claim the road

    Then makes on him, a thieving in the sand,
    The way last week the robbers burst and stole

    The crates with chickens, goats a-leash, the wealth
    That masquerades as dirt itself, the greens.

    I ask him, does he fear insurgentโ€™s stealth,
    The bark of guns, the bulletโ€™s code, the dream,

    When east Sarobiโ€™s tea shops dish fruit cold and sweet,
    Pomegranates, porcelain plates, nuts and honey treats,
    The scent of lamb in stew, the simmering of the meat โ€“

    He shrugs. Stolid, fleet. He says, โ€œThis is my road.โ€
    It is a dust track where the accent makes the meaning.

  • The Sunday Poem: When Is a Rhyme a Rhyme?

    I am here in Austin for AGDC, after a difficult day of travel. My last-ditch attempt to make it to Rudy’s for some BBQ before they closed missed by 20 minutes thanks to various flight delays. So here I sit with Sonic cherry limeade, melancholy, a Marriott substituting for a garret, to write a Sunday poem for you… ๐Ÿ˜‰

    When is a rhyme a rhyme? A pair of words
    Vibrating twain and twin, a homonym
    A scanty, scarcely fraction time, a blur
    Of vowels assonancing on a whimโ€ฆ
    Half verb, the penult, higher ante, quill
    That sometimes speaks in halves and sometimes sprung,
    And in the clumsy piling on of syll,
    The ables and alliterate undone.
    Is all it is the music? Nothing else
    applies? The quatrainโ€™s break, the plosive sound,
    The prayer on the coupletโ€™s open verse?
    The sense of it, the consonance profound?
    The algorithm elegant, the twinning still sublime,
    Is it still a poem, if we forget to rhyme?