The Sunday Poem

Every Sunday I post an original poem.

  • The Sunday Poem: Soul Food

    If we are what we eat then dogs are kibble,
    All bounding grains and some
    Substantial portion of lamb.
    And us? Walking past a park we are all

    Gangly asparagus and sly cabbage,
    Chicken more often than we’d like,
    All too often greasy fingered from fast
    Eatings, while time takes away time.

    Society ladies folded and folded over
    Canapés, some revealing dustbin leftovers
    And a tasteless heart, others housing
    A surprise of flavor within complexity.

    Powerful men made of the juices
    Of dried up things, raisins and plums,
    Often sniffed and judged wanting, with
    All the taste in the bouquet.

    Working men, beefy and blood red
    Hearty from the day and from the dirt,
    With a dash of potatoes behind their ears
    And a dash of hops to keep their heads up.

    Last, a surprise, the girls from both coasts,
    Willowy to haggard, caught in their seasons,
    Rose and primrose, orchid, dandelion,
    Haughty, wondrous gaudy, tasteless flowers.

    – July 8th, 2001

  • The Sunday Poem: The Clock Before Falling Asleep

    It’s not tick tock. More like a
    Tack chalk tick chalk take chalk talk chalk,
    A song without sibilants whinging its way
    Around the vowels, never settling, circling back.

    As you sleep it falls into white noise,
    Just chalk chock shock sock until every moment
    Blurs its way into the melting dream.
    Marking moments that move sideways,

    Perpendicular to seeing, the sibilants easing
    Their way into the susurration of sleep.
    Each six degrees of movement, each sharp tick
    The peak signal in a rush of static.

    What is a clock? A simplistic rhythm, like chalk itself,
    Nothing more than a rubbing on the face of time.

  • The Sunday Poem: Clouds From Above

    Honoring all the clichés,
    Evanescing like cottony candy,
    Like cotton itself, soft twists torqued,
    Tangled, aloft with imagined
    Wild dragons–their qualia lie:

    Our visions, our worships,
    Are tepid, not rapid; have ice
    In their bellies, not fire.

    As we claw our way,
    Damp and surrounded, through
    Serpentine guts, grim gray tangles
    Of mist, I see Tintagel’s battle
    Is fought yet again:

    We are lords of the sky;
    We have burst from our stone;
    This is dynasty.

  • The Sunday Poem: Guernica

    A separation of pigments: my point of view is not where I look

    I can only filter events through newsprint
    Picasso’s grey immanence pervades and defines

    Where is the gradual nervousness?
    The regime pilot’s eye as he drops the bomb?
    Staring at the elongated frame that focusses
    straining at the edge of canvas:

    The hoarse of a scream
    is dirt driven deep under fingernails
    The scream of a horse is scrabbling
    Guernica:
    how terrifying to be told where to think
    how to think
    the shape of thinking
    how peaceful

  • The Sunday Poem

    In another life, I was a poet. If it’s possible to stop being a poet. Or if one’s life has intermediate lives. Or something. Quite likely, the most useless piece of paper I own is the one that actually certifies me as a poet. A truly ludicrous idea. Of course, this particular certificate, which comes in the form of a diploma giving me an MFA in creative writing, is nonetheless carefully kept in a leather binder at the bottom of a closet, because to do otherwise would be to admit something unpleasant about how I spent multiple years of my life.

    Most poems sit in drawers never to be read, and that is a good fate for most poems, really, because most poems aren’t really written for others to read. I think the certificate means that the poems I wrote are supposed to actually get read. But currently they do not get read; they instead sit in a virtual drawer on my hard drive.

    I have an audience these days; depending on where I write, it can be quite a large audience. On here, not so much, but heck, if I post on certain game websites, I get audiences in the tens of thousands. At times, within certain games, I have had audiences in the hundreds of thousands. Most poets have audiences that are rather small.

    Odds are you could care less about poetry. I once cared passionately about it, but as with many past passions, it is difficult to remember the why of it. It’s a fact that is there, but that is difficult to understand anymore, like a lapsed religion or a forgotten mania for collecting something.

    But since you are my small audience, and these poems will never be sent to the New Yorker because I no longer have the passion, and because I suspect that there’s more people willing to read poems on the Internet than there are total people reading the New Yorker, I am going to post the poems I was once passionate about here on this website. One every Sunday, and they shall be called “The Sunday Poem.” They will have their own category, and people who are interested in poetry can click on just that category and read them, and people who could care less can skip them.

    What’s more, they will have comments open, and I will actually answer questions and comments. You never got to do that with Emily Dickinson or Poe or Milton, so you can look upon this as your chance for revenge if you dislike poetry.

    Many of these poems have stories behind them. I may post those too.

    I rarely write new poems these days. But I have many many older ones.

    If I miss a Sunday, be sure to beat me up.